Raag Gauri (Bhairav Ang)

SwarRishabh and Dhaivat Komal. Rest All Shuddha Swaras.
JatiSampurna - Sampurna Vakra
ThaatBhairav
Vadi - SamvadiRishabh - Pancham
Time4th Prahar of the Day (3PM to 6PM)
Vishranti Sthan
Mukhya AngS r S ,N S G r; m G r S r ,N S;
Aaroh - AvrohS r ,N S; S r G m P d P; P d N S' - S' N d P m G; r G m G r; S r ,N S; ,d ,N ,d S ,N S

Raag Gauri is full of compassion and piety. The melody subtly brings out the Viraha Sringar (piety from separation of lovers). It is not a deep melody like Raag Bhairav from which it is differentiated by the following combinations:

Sr Gm G ; rG rm Gr Sr ,NS ; Gm Pd P ; P d N S’ ; dN dS’ N ; dP mP md Pm ; G r ; S r ,N S;

Raag Gauri Bandishen

All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.

1
Bada Khyal - Deepan Jyoti Lagi
Taal - Ektal Vilambit
Theme - Sunset Time
2
Bada Khyal - Mora Man Lago Pardesi Preetam Pyara
Taal - Ektal Vilambit
Theme - Virah Ras
3
Chota Khyal - Gauven Ghar Ko Aai Ban Se
Taal - Trital Drut
Theme - Sunset Time
4
Chota Khyal - Jaane Na Dungi Mai Apne Piya Ko
Taal - Trital Drut
Theme - Virah Ras
5
Chota Khyal - Mat Kar Tu Gumaan
Taal - Trital Drut
Theme - Jeevan Darshan
6
Chota Khyal - Baaje Ho Mirdangwa
Taal - Ektal Drut
Theme - Sunset Time
7
Sargam - Re Ga Re Ma Ga Re Sa Re Ni
Taal - Ektal Drut