Raag Shuddha Sarang
Swar Notations
| Swaras | Gandhar Varjya, Both Madhyams. Rest all Shuddha Swaras. |
| Jati | Shadhav - Shadhav |
| Thaat | Kalyan |
| Vadi/Samvadi | Rishabh/Pancham |
| Time | (9AM - 12 Noon) : 2nd Prahar of the day : Din ka Dwitiya Prahar |
| Vishranti Sthan | ,N; R; P; N; - S'; N; P; R; |
| Mukhya-Ang | ,N S R M M P ; M P M m R ; R ,N ,N S ; ,N ,D S ,N R S ; |
| Aaroh-Avroh | ,N S R M P N S' - S' N D P M P M m R S ,N S; |
Raag Description: Among the day time Raagas, Shuddha-Sarang, a member of the Sarang Family, produces a strong and lasting impression. The Raag mood is at once menifested by the simultaneous presentation of both Madhyams followed by Rishabh in Avroh (M m R). Similarly the notes S ; ,N ,D S ,N R S are Raag Vachak. In this Raag S R M P N S is the usual Aaroh but sometimes P D N S is also allowed. In Avroh, Dhaivat is not a resting note however it is rendered in Meend from Nishad to Pancham touching Dhaivat like: N (D)P.
Madhyam Teevra is used primarily in Aaroh (M P N S' or M P D N S') and Shuddha Madhyam is used only in Avroh like: M m R S or ,N S R m R S. Shuddha Nishad is a vital and a resting note in the Mandra Saptak. Komal Nishad is sometimes rarely used like: M P n P M m R S. Following are the illustrative combinations which shows the Raag mood:
,N S R ; R m R ; S ,N (,D),P ; ,N ,D S ,N R S ; ,N S R m R ; M P ; P R m R ; S ,N S R S ; ,N S R m R M P ; R M P N (D)P ; P N S' R' S' ; S' R' S' N D S' N (D)P ; M P ; M m R ; m R S ,N S R S ;
Raag Shyam-Kalyan is close to Raag Shuddha-Sarang. The presence of Gandhar in Aaroh makes Shyam-Kalyan different from this Raag.
Listen to Raag Shuddha-Sarang: These bandishen are composed by Acharya Vishwanath Rao Ringe 'Tanarang' and are published in his new book 'Acharya Tanarang Ki Bandishen Vol 2'. This book contains 405 Bandishen from 31 Raags and an Audio CD. To buy this book, please contact us. All the following bandishen are sung by Shri Prakash Vishwanath Ringe.
1 | Bada Khyal: Bhole Bhandari Taal: Ektal Vilambit Theme: Shri Shankar Shambhu | |
2 | Bada Khyal: Bilam Rahe More Piyarwa Taal: Ektal Vilambit Theme: Roothna Manana | |
3 | Bada Khyal - Sadra: Lagan Mori Lagi Re Taal: Jhaptal Vilambit Theme: Roothna Manana | |
4 | Chota Khyal: Mora Re Man Lago Ri Taal: Trital Drut Theme: Shri Krishna - Gopiyon ki Vyakulta | |
5 | Chota Khyal: Jare Jare Jare Kare Taal: Trital Drut Theme: Beauty of Nature | |
6 | Chota Khyal: Jiyra Mora Tumisan Lago Taal: Trital Drut Theme: Shringar Ras | |
7 | Chota Khyal: Mukh Ki Chabi Sundar Saaje Taal: Ektal Drut Theme: Shri Ram | |
8 | Chota Khyal: Kahi Maan Le Re Taal: Trital Drut Theme: Shri Krishna - Gopiyon se Chedchad | |
9 | Chota Khyal: Ab Lon Piya Nahi Aaye Taal: Ektal Drut Theme: Virah Ras | |
10 | Chota Khyal: Ab To Sajan Ghar Aaye Taal: Trital Drut Theme: Shringar Ras | |
11 | Chota Khyal: Balam Mori Chad De Re Kalaiya Taal: Trital Drut Theme: Shri Krishna - Gopiyon se Chedchad | |
12 | Chota Khyal: Kab Lon Sahoon Avhelna Taal: Trital Drut Theme: Virah Ras | |
13 | Chota Khyal: Kaise Karun Aali Taal: Ada Chautal Drut Theme: Virah Ras | |
14 | Sargam: Dh Pa Ma Pa Ma Taal: Roopak Drut |