Swar | Rishabh and Dhaivat Varjya in Aaroh. Nishad Komal. Madhyam Teevra. Rest all Shuddha Swaras. |
Jati | Audhav - Sampurna |
Thaat | Not Defined |
Vadi - Samvadi | Shadj - Pancham |
Time | 4th Prahar of the Day (3PM to 6PM) |
Vishranti Sthan | G; P; n; - D; P; G; R; |
Mukhya Ang | ,n S G M ; P D P ; M G R S ; R ,n S ; M G R S ; |
Aaroh - Avroh | S G M P n S' - S' n D P M G R S ,n S |
Raag Vachaspati has been adapted from Carnatic Music. By using Nishad Komal in Raag Maru Bihag, Raag Vachaspati comes into existence. Raag Champakali is a similar Raag in which Gandhar is dominant in Avroh, but in Vachaspati Rishabh is the dominant note in Avroh.
Raag Vachaspati is a very melodious Raag but not very much in vogue.
Raag Vachaspati Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.
1 | Bada Khyal - Laaj Na Aaye Tohe Nirdai Taal - Ektal Vilambit Theme - Shri Krishna - Gopiyon se Chedchad | |
2 | Sadra - Jiyra Mora Laagena Tanik Hu Taal - Jhaptal Vilambit Theme - Virah Ras | |
3 | Chota Khyal - Aai Sahelariyan Saj Dhaj Taal - Trital Drut Theme - Shringar Ras | |
4 | Chota Khyal - Koyaliya Kuhu Kuhu Bole Taal - Trital Drut Theme - Spring Season | |
5 | Chota Khyal - Meher Ki Najriya Karo Taal - Ektal Drut Theme - Guru Vandana | |
6 | Chota Khyal - Mora Man Naahi Laage Re Taal - Trital Drut Theme - Virah Ras | |
7 | Sargam - Pa Ma Ga Ma Pa Ma Ga Re Sa Taal - Trital Drut |