Raag Vachaspati

SwarRishabh and Dhaivat Varjya in Aaroh. Nishad Komal. Madhyam Teevra. Rest all Shuddha Swaras.
JatiAudhav - Sampurna
ThaatNot Defined
Vadi - SamvadiShadj - Pancham
Time4th Prahar of the Day (3PM to 6PM)
Vishranti SthanG; P; n; - D; P; G; R;
Mukhya Ang,n S G M ; P D P ; M G R S ; R ,n S ; M G R S ;
Aaroh - AvrohS G M P n S' - S' n D P M G R S ,n S

Raag Vachaspati has been adapted from Carnatic Music. By using Nishad Komal in Raag Maru Bihag, Raag Vachaspati comes into existence. Raag Champakali is a similar Raag in which Gandhar is dominant in Avroh, but in Vachaspati Rishabh is the dominant note in Avroh.

Raag Vachaspati is a very melodious Raag but not very much in vogue.

Raag Vachaspati Bandishen

All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.

1
Bada Khyal - Laaj Na Aaye Tohe Nirdai
Taal - Ektal Vilambit
Theme - Shri Krishna - Gopiyon se Chedchad
2
Sadra - Jiyra Mora Laagena Tanik Hu
Taal - Jhaptal Vilambit
Theme - Virah Ras
3
Chota Khyal - Aai Sahelariyan Saj Dhaj
Taal - Trital Drut
Theme - Shringar Ras
4
Chota Khyal - Koyaliya Kuhu Kuhu Bole
Taal - Trital Drut
Theme - Spring Season
5
Chota Khyal - Meher Ki Najriya Karo
Taal - Ektal Drut
Theme - Guru Vandana
6
Chota Khyal - Mora Man Naahi Laage Re
Taal - Trital Drut
Theme - Virah Ras
7
Sargam - Pa Ma Ga Ma Pa Ma Ga Re Sa
Taal - Trital Drut