| Swar | Rishabh and Dhaivat Komal. Madhyam Teevra. Rest all Shuddha Swaras. |
| Jati | Sampurna - Sampurna Vakra |
| Thaat | Poorvi |
| Vadi - Samvadi | Pancham - Shadj |
| Time | 4th Prahar of the Day (3PM to 6PM) |
| Vishranti Sthan | S; G; P; N; - S'; P; G; r; |
| Mukhya Ang | ,N r G M P ; P M G M r G ; M d P ; M d N S'; N r' ; N d P ; P d P P M G M r G ; r S; |
| Aaroh - Avroh | ,N r S ; ,N r G M P ; M d N S' - S' N d P M G M r G r S |
Raag Puriya Dhanashree occupies very important place among evening melodies. It produces compassion and is emotional in character. It is very close to Raag Poorvi, which employs both Madhyams.
In Raag Puriya Dhanashree, Pancham is a very prominent note which is also the center point of all the Raag expansion. However, often Pancham is skipped in Aaroh and sometimes in Avroh like: ,N r G M P ; P d P ; P d M P ; M G ; M d N S’ ; N r’ N d P ; M d M G r ; G M r G r S. Shadj is also generally skipped in both Aaroh and Avroh, like: ,N r G M P ; M d N S’ ; N r’ G’ ; G’ r’ S’ ; N r’ N d P ; d P M P ; M G M r G ; r S. Aalaps and Taans generally start from Nishad.
In this Raag P M G M r G are the Raag Vachak notes. Following are the illustrative combinations of Raag Puriya Dhanashree:
,N r G ; G M G ; M P d P d M P ; M G M r G ; G r M G r S ; ,N r S ,N r G ; G M M G r G r G M P ; M g M r ; r G ; r G M P d P d M P ; P d P M G ; M r G ; ,N r M G r G ; r S ; ,d ,N r G ; M d N S’ ; S’ N r’ S’ ; r’ N d P ; P d P M d P ; d P M G M r G r S ; P d P M G M d N S’ ; N r’ S’ ; d N r’ G’ G’ r’ S’ ; N r’ N d ; P d P M ; G M r G ; r G M P d P M ; G M r G r S ;
Raag Puriya Dhanashree Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his book ‘Acharya Tanarang Ki Bandishen Vol 2‘. This book contains the notation and audio of 405 Bandishen from 31 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Maan na Karo Ri Gori Taal - Ektal Vilambit Theme - Roothna Manana | |
2 | Sadra - Birhan Bawari Bani Taal - Jhaptal Vilambit Theme - Virah Ras | |
3 | Madhya Lay Khyal - Shekhar Bhalchandra Taal - Jhaptal Madhya Lay Theme - Shri Shankar Shambhu | |
4 | Chota Khyal - Banri Gare Phoolan Haar Taal - Ektal Drut Theme - Shringar Ras | |
5 | Chota Khyal - Chanchal Chatur Albeli Taal - Trital Drut Theme - Shringar Ras | |
6 | Chota Khyal - Sakhi Kanha Karat Larkaiyan Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
7 | Chota Khyal - Tan Man Varoon Shyam Taal - Trital Drut Theme - Shri Krishna - Gopiyon ki Vyakulta | |
8 | Chota Khyal - Tore Daras Bin Laagena Taal - Trital Drut Theme - Virah Ras | |
9 | Chota Khyal - Tumisan Laage More Naina Taal - Trital Drut Theme - Shri Krishna - Gopiyon ki Vyakulta | |
10 | Chota Khyal - Ghariyan Ginat Rahi Mai Ab Taal - Trital Drut Theme - Virah Ras | |
11 | Chota Khyal - Mushkil Karo Aasan Pyare Taal - Trital Drut Theme - Virah Ras | |
12 | Chota Khyal - Shekhar Har Bhalchandra Taal - Ektal Drut Theme - Shri Shankar Shambhu | |
13 | Sargam - Sa Ni Re Ni Dh Pa Taal - Ektal Drut |