| Swar | Madhyam and Dhaivat Varjya. Rishabh, Gandhar, Nishad Komal. Rest all Shuddha Swaras. |
| Jati | Audhav - Audhav |
| Thaat | Todi |
| Vadi - Samvadi | Pancham - Shadj |
| Time | 1st Prahar of the Day (6AM to 9AM) |
| Vishranti Sthan | S; r; P; |
| Mukhya Ang | ,n S r g ; g r ,n ,P ; ,n r S ; |
| Aaroh - Avroh | S r g P n S' - S' n P g r S |
Raag Bairagi Todi is said to be introduced by Pt. Ravi Shankar. This Raag is rather difficult to render but very melodious. By replacing Madhyam of Raag Bairagi with Komal Gandhar, Raag Bairagi Todi is conceived.
As the name suggests this Raag has Todi Ang and is classified under Todi Thaat. In this Raag, Komal Gandhar used is of lower Shruti as in Raag Todi. This Raag creates a deep and heavy atmosphere and can be expanded in all the three octaves. Following are the illustrative combinations for Raag Bairagi Todi:
S r g ; g r S ; r g P ; r g r S ; S r g P ; n P g r ; g P n S’ ; n S’ r’ S’ ; S’ n P ; n P g r ; g r S ; ,n S ,P ,n S ; r S ;
Raag Bairagi Todi Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.
1 | Bada Khyal - Beeti Sari Rain Taal - Ektal Vilambit Theme - Virah Ras | |
2 | Madhya Lay Khyal - Kar Saadhana Sur Ki Taal - Jhaptal Madhya Lay Theme - Sur Sadhana | |
3 | Chota Khyal - Baalam Harjai Re Taal - Trital Drut Theme - Roothna Manana | |
4 | Chota Khyal - Japat Hari Naam Kahe Na Man Taal - Trital Drut Theme - Bhakti Ras | |
5 | Chota Khyal - Meri Suno Araj He Ram Taal - Trital Drut Theme - Shri Ram | |
6 | Sargam - Ga Re Ga Pa Ni Pa Ga Re Sa Taal - Trital Drut |