| Swar | Pancham Varjya in Aaroh. Gandhar and Nishad Komal. Rest All Shuddha Swaras. |
| Jati | Shadhav - Sampurna Vakra |
| Thaat | Kafi |
| Vadi - Samvadi | Madhyam - Shadj |
| Time | 2nd Prahar of the Night (9PM to 12AM) |
| Vishranti Sthan | S; m; D; - S'; D; m; g; |
| Mukhya Ang | ,n S m ; S g m ; g R S ; ,n ,D ; m D n D ; m g R S; |
| Aaroh - Avroh | S R g m D n S' - S' n D m P D m g R S; ,n S |
Raag Bageshree is also called Bagesari, Bageshwari, Vageshwari etc. Also there are couple of options for Aaroh and Avroh. One Aaroh is already indicated above. According to some maestros, Rishabh and Pancham should be Varjya in Aaroh, which makes it Audhav-Sampurna.
But, if we avoid both Rishabh and Pancham, Raag Shri Ranjani makes its appearance. Hence, the use of Rishabh in Aaroh makes it different from Raag Shri Ranjani and Raag Bheempalasi. In Raag Bheempalasi ,n S m g R S or S g m g R S is used. Thats why in Raag Bageshree, R g m g R S or S R g m ; m g R S, these notes seems to be more appropriate (hence the Jati is classified as Shadhav-Sampurna).
,n ,n S ; S m ; m P D m ; m g R S at once creates the Raag mood and the preponderance of D n S m ; m m g; g m D ; g m n n D ; m D n D; m P D m completes the format.
This Raag is suitable for both types of Shringars namely Virah and Karuna. It is a melody that pleases in isolation and is effective in emotional expression. The illustrative combinations of Raag Bageshree are:
S R S ; ,n ,n S ; ,n ,D ; ,m ,D ,n ,D S; ,D ,n S m ; m g g R S ; ,n ,n S m ; m g ; m D n D m ; m P D m ; m g R S ; g m D S’ D n D m ; D S’ R’ S’ n D m ; m P D m ; m g R S ; g m D n D n S’; n S’ n n R’; S’ R’ S’ S’; R’ S’ n S’ ; D n D S’ ; m D ; D n D m ; m P D m ; m g R S ,n S ;
Raag Bageshree Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his book “Acharya Tanarang Ki Bandishen Vol 1”. This book contains 389 Bandishen from 31 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Preet Mori Lagi Re Balma Tanarang Taal - Ektal Vilambit Theme - Shringar Ras | |
2 | Sadra - Katat Nahi Ratiyan Piya Bin Biraha Ki Taal - Jhaptal Madhya Lay Theme - Virah Ras | |
3 | Madhya Lay Khyal/Swar Sagar - Sadh Sargam Saras Shyam Pad Rang Me Taal - Jhaptal Madhya Lay Theme - Sur Sadhana | |
4 | Chota Khyal - Aai Sakhi Madhu Raat Suhani Taal - Trital Drut Theme - Shringar Ras | |
5 | Hori - Banwari Tore Sang Na Aaj Taal - Trital Drut Theme - Shri Krishna - Hori | |
6 | Chota Khyal - Bole Re Nahi Mituwa Taal - Trital Drut Theme - Roothna Manana | |
7 | Chota Khyal - Nain Baware Chain Na Paawe Taal - Trital Drut Theme - Virah Ras | |
8 | Chota Khyal - Sajana Sajana Mora Laage Na Jiyara Taal - Trital Drut Theme - Virah Ras | |
9 | Chota Khyal - Manat Nahi Re Kanhayi Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
10 | Chota Khyal - Jo Hamne Tumse Baat Kahi Taal - Trital Drut Theme - Roothna Manana | |
11 | Chota Khyal - Bhanwar Ras Le Gaye Ri Gaye Ri Taal - Trital Drut Theme - Virah Ras | |
12 | Chota Khyal - Begi Chalo Begi Chalo Ri Sakhiyan Taal - Ektal Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
13 | Chota Khyal - Kaise Kate Ratiyan Piya Bin Taal - Trital Drut Theme - Virah Ras | |
14 | Tarana - Dretana Derena Taan Derena Taal - Trital Drut Theme - Suitable for Dance | |
15 | Sargam - Ma Ga Re Sa Re Dha Ni Sa Ma Pa Dha Ni Dha Taal - Trital Drut |