Raag Bhoopali

SwarMadhyam, Nishad Varjya. Rest All Shuddha Swaras.
JatiAudhav - Audhav
ThaatKalyan
Vadi - SamvadiGandhar - Dhaivat
Time1st Prahar of the Night (6PM to 9PM)
Vishranti SthanS; R; G; P; - P; G; R; S;
Mukhya AngG R G; P G; D P; S' D P G; P G R G; G R S;
Aaroh - AvrohS R G P D S' - S’ D P G R S R ,D S

Raag Bhoopali is a tranquil soft melody that fills up a new life force in the environment with the dominant Gandhar strengthened by the Swayambhu Gandhar from the Kharja of the Taanpura. It belongs to Kalyan Thaat and is also known as Raag Bhoop.

In Raag Bhoopali, one should be very careful not to use Dhaivat as a resting note and not give much prominence to Dhaivat, otherwise Raag Deshkar will come into existence which has the same set of Notes as Raag Bhoopali. While taking a Meend from Shadj to Dhaivat or from Pancham to Gandhar, one should be very careful about not using Nishad and Madhyam respectively as a Kan-Swar, otherwise Raag Shuddha Kalyan will come into existence. Gandhar-Dhaivat Sangati is very important in Bhoopali and Rishabh is the Nyas Swar. 

Raag Bhoopali is popular as Raag Mohan in Carnatic Music. It is a Poorvang Pradhan Raag and is mostly sung in Madhya and Mandra octaves. It creates a deep and soothing atmosphere. The following illustrative combinations clearly bring out the melodic format:

S ; S ,D S R G ; R G S R ,D S ; S R G P ; P G R G ; R P G ; G S R ; R ,D S ; G R G ; P G ; P D P P ; D P ; G P R G R S ,D S ; S R G R G P D S’ ; P D P S’ ; S’ S’ ; R’ S’ D S’ ; D S’ R’ G’ R’ S’ ; D S’ D P G R G ; P R G R S ; R ,D S ; 

Raag Bhoopali Bandishen

All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his book “Acharya Tanarang Ki Bandishen Vol 1”. This book contains the notation and audio of 389 Bandishen from 31 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.

1
Bada Khyal - Eri Aaj Rang Chayo Ri
Taal - Ektal Vilambit
Theme - Shringar Ras
2
Madhya Lay Khyal - Deepawali Aai Bhar Umang Sukh Laayi
Taal - Jhaptal Madhya lay
Theme - Deepawali
3
Sadra - Sagun Bicharo He Bamna
Taal - Jhaptal Vilambit
Theme - Virah Ras
4
Chota Khyal - Madhur Sur Bansi Baji Baji Re
Taal - Trital Drut
Theme - Shri Krishna - Raas Leela
5
Chota Khyal - Sehra Goondh Lao Malaniyan
Taal - Ektal Drut
Theme - Shringar Ras
6
Chota Khyal - Kahe Karat Barjori
Taal - Trital Drut
Theme - Roothna Manana
7
Chota Khyal - Bar Bar Samjhay Rahyo Man
Taal - Trital Drut
Theme - Shri Ram, Jeevan Darshan
8
Chota Khyal - Jayti Vijay Kamla Bhavani
Taal - Trital Drut
Theme - Maa Durga
9
Chota Khyal - Jeevan Ab Thodo Raho Thodo
Taal - Trital Drut
Theme - Shri Ram, Jeevan Darshan
10
Chota Khyal - Kamla Charan Poojo Re
Taal - Trital Drut
Theme - Deepawali
11
Chota Khyal - Malaniya Gundh Laao Ri
Taal - Trital Drut
Theme - Shringar Ras
12
Chota Khyal - Sur Saadhe Sur Lok Paave
Taal - Trital Drut
Theme - Sur Sadhana
13
Chota Khyal - Umang Man Me Jaagi
Taal - Trital Drut
Theme - Deepawali
14
Tarana - Ta Dare Dani Deemtan Nana Derena
Taal - Trital Drut
15
Sargam - Sa Dha Sa Re Pa Ga
Taal - Trital Drut

Raag Bhoopali By Acharya Tanarang

This was recorded in the year 2001 when he was 80 years old. Accompanying him are his sons, Shri Prakash V. Ringe and Shri Vishwajeet V. Ringe.

Bada Khyal: Deepawali Aai Bhar Umang Sukh Laayi  Taal: Jhaptal Madhya Lay 
Chota Khyal: Jay Jay Dev Hare  Taal: Trital