| Swar | Gandhar, Nishad Varjya in Aaroh. Pancham Varjya in Avroh. Rishabh, Gandhar, Dhaivat, Nishad Komal. Rest all Shuddha Swaras. |
| Jati | Audhav - Shadhav Vakra |
| Thaat | Bhairavi |
| Vadi - Samvadi | Dhaivat - Rishabh |
| Time | 2nd Prahar of the Day (9AM to 12PM) |
| Vishranti Sthan | S; m; P; d; - d; m; r; |
| Mukhya Ang | m P d S' ; r' n d m g r ; g r S; |
| Aaroh - Avroh | S r m P d S'; - S' r' n d m P d m g r g r ,n ,d r S; |
Raag Komal Rishabh Asawari is a very sweet morning Raag which is also referred to as Asawari Todi. It is similar to Raag Bilaskhani Todi except that in Aaroh, instead of Madhyam and Nishad Varjya, Gandhar and Nishad are Varjya. The Avroh is same with Pancham Varjya in both the Raags.
This Raag belongs to Bhairavi Thaat. In Poorvang, Todi Ang appears like: S r g ; g r ; g r S and Asawari Ang appears in Uttarang. In this Raag, Shadj (Sa) is usually omitted in Avroh like: S’ r’ n d ; d S’ r’ g’ r’ n d. In this Raag Pancham is the Nyas Swar, however Pancham is skipped in Avroh, like S r m P ; P d P ; P d n d m g r ; r g r S. Although Nishad is Varjya in Aaroh, it is sometimes used as Anuwadi Swar like: r’ n S r’ g’ or r ,n S r.
This is a Meend Pradhan Raag. This Raag can be expanded in all the three octaves. The atmosphere created by this Raag is deep and soothing. The notes as given hereafter literally create a live image of this Raag:
S r ,n ,d ; ,P ,d ,n ,d ; ,m ,P ,d ,d S ; r r g r g r ,n ,d S ; r m m P ; m P d m ; P d n d m ; m g r ; g r ,n ,d S ; m P d S’ ; S’ r’ r’ S’ ; S’ r’ g’ r’ g’ r’ n d d m P ; m P d S’ ; P d n d m ; P d m g r ; g r ,n ,d S ;
The chalan and structure of Raag Komal Rishabh Asawari as shown above is popular these days, however according to old versions, the Avroh of this Raag is like: S’ r’ n d P ; d m P ; m P n d P ; d m P ; (m)g r S.
Raag Komal Rishabh Asawari Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his book ‘Acharya Tanarang Ki Bandishen Vol 2‘. This book contains the notation and audio of 405 Bandishen from 31 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Nain Ratnare Ho Tihare Taal - Ektal Vilambit Theme - Roothna Manana | |
2 | Sadra - Janam Gavayo Hari Ke Bhajan Bina Taal - Jhaptal Vilambit Theme - Bhakti Ras, Jeevan Darshan | |
3 | Sadra - Laal Alsane Ho Kahe Jaage Taal - Jhaptal Vilambit Theme - Roothna Manana | |
4 | Chota Khyal - Giridhar Ke Gun Gao Taal - Trital Drut Theme - Shri Krishna - Bhakti Ras | |
5 | Chota Khyal - Kahe Karat Na Ram Bhajan Taal - Trital Drut Theme - Shri Ram | |
6 | Chota Khyal - Konpal Nai Nikasi Manhar Ambuva Ki Daari Taal - Ektal Drut Theme - Virah Ras, Spring Season | |
7 | Chota Khyal - Manuva Bhayo Diwana Diwana Taal - Trital Drut Theme - Bhakti Ras, Jeevan Darshan | |
8 | Chota Khyal - Mata Vimal Karo Ri Taal - Trital Drut Theme - Maa Saraswati | |
9 | Chota Khyal - Prabhu Ko Rijhao Taal Suran Son Taal - Trital Drut Theme - Sur Sadhana | |
10 | Chota Khyal - Saat Suran Gaao Madhur Sur Sangeet Taal - Ektal Drut Theme - Sur Sadhana | |
11 | Chota Khyal - Sukh Dukh Samaan Maane Jo Taal - Trital Drut Theme - Vairagya Ras | |
12 | Chota Khyal - Thumkat Pag Nupur Baaje Taal - Ektal Drut Theme - Shri Krishna - Balyakaal, Shri Krishna - Mahima Varnan | |
13 | Sargam - Re Ma Pa Dha Ni Dha Taal - Ektal Drut |
Raag Komal Rishabh Asawari By Acharya ‘Tanarang’
Chota Khayal: Prabhu Ko Rijhao Taal Suran So Taal: Trital