| Swar | Dhaivat Varjya in Aaroh. Both Madhyams. Rest all Shuddha Swaras. |
| Jati | Shadhav - Sampurna Vakra |
| Thaat | Kalyan |
| Vadi - Samvadi | Pancham - Shadj |
| Time | 1st Prahar of the Night (6PM to 9PM) |
| Vishranti Sthan | S; R; P; N; - S'; N; P; R; |
| Mukhya Ang | S R ,N S (m)R ; R M M P ; P G m R ; M P ; G m P ; G m R ; ,N S R S; |
| Aaroh - Avroh | ,N S R M P N S'; - S' N D P M P D P G m P G m R S ,N S; |
Raag Shyam Kalyan is a very melodious Raag. It is a mixture of Kalyan Ang and Kamod Ang (G m P G m R S).
There are few things to be kept in mind while singing Shyam Kalyan. Gandhar is not forbidden in Aaroh, still one should not render G M P N S’, rather R M P N S’ is rendered. Gandhar is used in Aaroh like G m P G m R S. In general, Avroh is like this: S’ N D P M P D P ; G m P G m R S. In Avroh, sometimes Nishad can be skipped like – P S’ S’ R’ S’ N S’ D P.
Raag Shuddha Sarang is nearest to this Raag, where Dhaivat is taken as Kan-Swar in Avroh. Whereas in Shyam Kalyan Dhaivat is rendered Deergh as in Kalyan Ang. Presence of Gandhar in Shyam Kalyan also separates it from Shuddha Sarang.
Following combinations are illustrative of the Raag:
S ,N S R M P ; M P D P ; M P N S’ ; S’ R’ S’ N D P ; M P D P ; G m R ; ,N S R S ; P D P P S’ S’ R’ S’ ; S’ R’ S’ D P M P ; R M P N S’ ; N S’ D D P ; S’ N D P ; M P G m P ; G m R ; R ,N S;
Raag Shyam Kalyan Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his new book “Acharya Tanarang Ki Bandishen Vol 3”. This book contains the notation and audio of 440 Bandishen from 28 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Sanjh Pari Re Taal - Ektal Vilambit Theme - Shri Krishna - Balyakaal, Sunset Time | |
2 | Bada Khyal - Sharan Ja Guru Ke Taal - Ektal Vilambit Theme - Guru Vandana | |
3 | Sadra - Jasumati Tero Lal Taal - Jhaptal Vilambit Theme - Shri Krishna - Gopiyon se Chedchad | |
4 | Sadra - Brij Ke Basaiyya Taal - Jhaptal Vilambit Theme - Shri Krishna - Gopiyon ki Vyakulta | |
5 | Madhya Lay Khyal - Mora Tanarang Rasiya Balam Taal - Roopak Madhya Lay Theme - Shringar Ras | |
6 | Madhya Lay Khyal - Sun Le Re Mori Baat Taal - Jhaptal Madhya Lay Theme - Virah Ras | |
7 | Madhya Lay Khyal - Sundar Sarup Jako Taal - Jhaptal Madhya Lay Theme - Shri Krishna - Mahima Varnan | |
8 | Chota Khyal - Begun Gun Gave Taal - Trital Drut Theme - Guru Vandana | |
9 | Chota Khyal - Chad De Re Anchara Mora Kanha Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
10 | Chota Khyal - Mora Tanarang Balma Re Taal - Trital Drut Theme - Shringar Ras | |
11 | Chota Khyal - Tanarang Bin Nindariya Na Taal - Trital Drut Theme - Virah Ras | |
12 | Chota Khyal - Jiyarwa Lage Na Mora Taal - Trital Drut Theme - Virah Ras | |
13 | Chota Khyal - Hulsat Nain Prem Ras Taal - Trital Drut Theme - Shri Krishna - Janm | |
14 | Chota Khyal - Payal Baje Jhanan Jhanan Taal - Trital Drut Theme - Shringar Ras | |
15 | Chota Khyal - Tum Bin Maiko Kalna Parat Taal - Ektal Drut Theme - Virah Ras | |
16 | Chota Khyal - Aaj Aai Madhur Saras Taal - Ektal Drut Theme - Shringar Ras | |
17 | Sargam - Re Pa Ma Dha Pa Ma Pa Taal - Ada Chautal Drut |