| Swar | Both Madhyams, Rest all Shuddha Swaras. |
| Jati | Sampurna - Sampurna Vakra |
| Thaat | Bilawal |
| Vadi - Samvadi | Shadj - Pancham |
| Time | 1st Prahar of the Day (6AM to 9AM) |
| Vishranti Sthan | S; G; P; |
| Mukhya Ang | S R G; G R G P; G m D; P; M P G m (G) R G; P m G R S; |
| Aaroh - Avroh | S R G, m G P, M P G m R G, G P N D N S' - S' N D P, M P, D M P, G m G R, G R S. |
Raag Yamani Bilawal is a combination of Raag Yaman and Raag Bilawal. The way this Raag is rendered is more closely inspired by Raag Bilawal. Teevra Madhyam in this Raag gives an indication of Raag Yaman. In Aaroh, Madhyam Teevra is used as – S R G P ; M P ; G m G R ; G R S ; G m D P ; M P ; D M P ; G m R G ; P m G R S ; D N S’ N D P ; M P ; G m G R ; G R S ;
Shuddha Madhyam is freely used without any restrictions. In Avroh, Komal Nishad can be used very rarely or not at all. To showcase the Bilawal Ang in this Raag – S R G should be used more instead of ,N R G (which is symbolic of Raag Yaman).
Some experts classify this Raag as Shadhav – Sampurna, but Sampurna – Sampurna seems more accurate. To separate this Raag from the impression of Raag Devgiri Bilawal, these notes are used repeatedly – P M P ; G m G R ; G R S.
Some experts classify this Raag in Kalyan Thaat because of Teevra Madhyam, but this Raag is more closer to Bilawal hence, Bilawal Thaat is more accurate. Resting Notes of this Raag is Shadj, Gandhar and Pancham. This Raag can be freely expanded in all the three octaves.
This Raag is very close in nature to Raag Devgiri Bilawal. The following combinations are representative of the Raag:
S ,N ,D ,N S R G ; G R S ; S R G P m G ; G R G P ; P M P ; G m G R ; G R S ; G R G P ; G m D P ; M P ; G m G R ; G P D N S’ ; m G R G P ; N D N S’ ; S’ N D P ; M P ; G m G R ; G R G P m G R S ;
Raag Yamani Bilawal Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Na Kar Re Guman Tanarang Taal - Ektal Vilambit Theme - Jeevan Darshan | |
2 | Bada Khyal - Naval Raghuveer Naval Janki Taal - Tilwada Vilambit Theme - Shri Ram | |
3 | Madhya Lay Khyal - Patiyan Na Bheji Aali Taal - Jhaptal Madhya Lay Theme - Virah Ras | |
4 | Madhya Lay Khyal - Pankh Mayur Ko Sheesh Sohe Taal - Roopak Madhya Lay Theme - Shri Krishna - Mahima Varnan | |
5 | Chota Khyal - Ati Malay Udat Madhu Gandh Gandh Taal - Trital Drut Theme - Spring Season | |
6 | Chota Khyal - Malaniya Goondh Lao Taal - Trital Drut Theme - Shringar Ras | |
7 | Chota Khyal - Naad Ko Bhed Jo Jane Taal - Ektal Drut Theme - Sur Sadhana | |
8 | Chota Khyal - Raag Roop Lay Bhed Jane Guni Taal - Trital Drut Theme - Sur Sadhana | |
9 | Sargam - Pa Ma Pa Ga Ma Re Ga Taal - Trital Drut |