Swar | Gandhar Varjya in Aaroh. Gandhar, Dhaivat, Nishad Komal. Rest All Shuddha Swaras. |
Jati | Shadhav - Sampurna Vakra |
Thaat | Asawari |
Vadi - Samvadi | Shadj - Pancham |
Time | 2nd Prahar of the Night (9PM to 12AM) |
Vishranti Sthan | P; n; - S'; P; R; |
Mukhya Ang | m P d n S'; S' d n S' ; S' d n P ; m P ; g m R S; |
Aaroh - Avroh | S R m P d n S' - S' d n P ; m P g m R S |
Raag Adana resembles Raag Darbari Kanada, with the difference that Gandhar is forbidden in Aaroh in Adana. This Raag is rendered mostly in Madhya and Tar Saptaks unlike Raag Darbari Kanada, which is more deep and hence is rendered in Madhya and Mandra Saptaks (Octaves). In this Raag, Komal Gandhar and Komal Dhaivat should not be repeated (oscillated) otherwise Raag Darbari Kanada makes its appearance. Like Darbari Kanada, this Raag does not employ Meend and Gamak, as this is a flittering dynamic type melodic form.
Although Gandhar is Varjya in Aaroh, but it is rendered in g m R S in Avroh as it is a Kanada Ang Raag. In Avrohi Taans, sometimes Dhaivat is skipped like – S’ n P m g m R S. The Nishad of Aaroh is on a higher shruti then the regular Komal Nishad.
The following combination brings out the melodic picture of the Raag –
S R m P ; d n P ; m P S’ d n P ; m P ; g m R S
Raag Adana Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his new book “Acharya Tanarang Ki Bandishen Vol 3”. This book contains 440 Bandishen from 28 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Madhya Lay Khyal - Kalna Parat Mohe Piya Bin Taal - Jhaptal Madhya Lay Theme - Virah Ras | |
2 | Madhya Lay Khyal - Sun Sun Re Kunwar Kanhai Taal - Roopak Madhya Lay Theme - Shri Krishna - Gopiyon se Chedchad | |
3 | Madhya Lay Khyal - Bheri Bajai Ran Taal - Jhaptal Madhya Lay Theme - Veer Ras | |
4 | Chota Khyal - Bhawani Dayani Jagdambike Kalike Taal - Ektal Drut Theme - Maa Durga | |
5 | Chota Khyal - Guru Sharan Charan Raj Le Tanarang Taal - Trital Drut Theme - Guru Vandana | |
6 | Chota Khyal - Dadhi Bechan Ko Chali Gujaria Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
7 | Chota Khyal - Karam Karo Kartaar Taal - Trital Drut Theme - Bhakti Ras | |
8 | Chota Khyal - Manat Na Mori Baat Taal - Ektal Drut Theme - Roothna Manana | |
9 | Chota Khyal - Niki Niki Murali Bajai Taal - Trital Drut Theme - Shri Krishna - Raas Leela | |
10 | Chota Khyal - Paar Karo Kartaar Taal - Trital Drut Theme - Bhakti Ras | |
11 | Chota Khyal - Tanarangwa Sain Kare Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
12 | Chota Khyal - Sandeswa Le Ja Taal - Trital Drut Theme - Virah Ras | |
13 | Chota Khyal - Karat Lugwa Ri Charcha Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
14 | Tarana - Dhitlong Deem Tanana Dhitlong Deem Taal - Trital Drut Theme - Suitable for Dance | |
15 | Sargam - Re Sa Re Ni Sa Dha Ni Pa Taal - Trital Drut |