| Swar | Both Madhyams, Rishabh Komal. Rest all Shuddha Swaras. |
| Jati | Sampurna - Sampurna Vakra |
| Thaat | Marwa |
| Vadi - Samvadi | Shuddha Madhyam - Shadj |
| Time | 4th Prahar of the Night (3AM to 6AM) |
| Vishranti Sthan | S; m; P; D; - m; S; |
| Mukhya Ang | S m P ; P G r S ; S D N D ; N P ; D m ; P G ; P G r S ; M D S' ; |
| Aaroh - Avroh | S r S ; S m ; m D P ; S D ; D N P m ; P G ; M D S' - S' r' N D P ; D N P m ; P G r S; |
Raag Bhatiyar belongs to Marwa Thaat and also shows some glimpses of Raag Mand. S D ; N P ; D m ; P G these notes makes a distinct atmosphere for Raag Bhatiyar. This is a complex Raag full of Vakra character and can be learnt only from a Guru.
N D N P D m these notes shows glimpse of Raag Mand. Rishabh and Nishad are used sparingly in Aaroh. Shuddha Madhyam is a resting note in Avroh. Madhyam Teevra is used to start the Uttarang. This Raag produces an anxiety laden atmosphere. It can be elaborated in all the three octaves. Following are the illustrative combinations for Raag Bhatiyar:
S m ; m P ; m D P m ; P G ; P G r S ; S D ; D N P ; D m ; D P ; G P G r S ; M D S’ ; S’ N r’ N D P ; D N ; P D ; m ; D P G r S ; S ,N ,D S ,N r G m D P ; G P G r S ;
Raag Bhatiyar Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his book ‘Acharya Tanarang Ki Bandishen Vol 2‘. This book contains 405 Bandishen from 31 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Aas Jagi Tore Darsan Ki Taal - Ektal Vilambit Theme - Virah Ras | |
2 | Bada Khyal - Biti Jaat Sagari Rain Taal - Ektal Vilambit Theme - Bhakti Ras | |
3 | Bada Khyal - Gajarwa Baje Mandir Ki Dyodhi Par Taal - Ektal Vilambit Theme - Sunrise Time | |
4 | Bada Khyal - Laal Alsane Ho Taal - Ektal Vilambit Theme - Roothna Manana | |
5 | Sadra - Sudh Bisar Gai Mori Taal - Jhaptal Vilambit Theme - Virah Ras | |
6 | Sadra - Roop Joban Ko Garab Na Kije Taal - Jhaptal Vilambit Theme - Jeevan Darshan | |
7 | Madhya Lay Khyal - Narayan Ko Naam Bhaj Le Taal - Jhaptal Madhya Lay Theme - Bhakti Ras | |
8 | Chota Khyal - Bajawat Bansuriya Madhuban Me Taal - Ektal Drut Theme - Shri Krishna - Murlidhar | |
9 | Chota Khyal - Bikhar Gai Re Nainan Nindiya Taal - Trital Drut Theme - Virah Ras | |
10 | Chota Khyal - Chado Mori Baiyan Langar Tum Taal - Trital Drut Theme - Roothna Manana | |
11 | Chota Khyal - Jashan Manao Sang Ki Saheliyan Taal - Trital Drut Theme - Shringar Ras | |
12 | Chota Khyal - Kachnar Phooli Re Banrai Taal - Trital Drut Theme - Beauty of Nature | |
13 | Chota Khyal - Nindiya Uchat Gai Re Taal - Trital Drut Theme - Shri Krishna - Gopiyon ki Vyakulta | |
14 | Chota Khyal - Chado Chado Langarwa Mori Dagar Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
15 | Chota Khyal - Uchat Gai More Nain Ki Nindiya Taal - Ektal Drut Theme - Virah Ras | |
16 | Chota Khyal - Jago Ho Nar Nari Ab To Taal - Trital Drut Theme - Sunrise Time | |
17 | Sargam - Sa Dha Pa Dha Ma Pa Taal - Trital Drut |