| Swar | Both Nishads. Madhyam Varjya in Aaroh. Rest all Shuddha Swaras. |
| Jati | Shadhav - Sampurna Vakra |
| Thaat | Bilawal |
| Vadi - Samvadi | Shadj - Pancham |
| Time | 1st Prahar of the Day (6AM to 9AM) |
| Vishranti Sthan | S; G; P; - P; G; S'; |
| Mukhya Ang | S ; ,D ,N ,D S R G ; G R S ; ,D ,P G ; ,N R G m G ; G P m ; G R S ; |
| Aaroh - Avroh | S R G P D N S' - S' N D P ; D n D P ; m G R S ; ,N S ; ,D ,P G R S |
Raag Devgiri Bilawal is a combination of Raag Shuddha Kalyan and Bilawal along with some traces of Kalyan. In this Raag, one should not use Teevra Madhyam, otherwise it will become Raag Yamani Bilawal. In Avroh, Nishad Komal is used like this: S’ D n P or S’ N D P D n D P m G R G R S ;
Shuddha Kalyan appears in G R S ,D ,P G and Kalyan appears in S ,N ,D S ; ,N R G ; G R S. This Raag is mostly sung in Mandra and Madhya Saptaks. Following combinations are illustrative of Raag Devgiri Bilawal:
G R G ; G m G R S ; ,D ,P G R S ; S ,N R G m G ; G R G P ; P D N S’ ; S’ N D P ; D n D P ; m G R G R S ; ,N R G R S;
Raag Devgiri Bilawal Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his book ‘Acharya Tanarang Ki Bandishen Vol 2‘. This book contains the notation and audio of 405 Bandishen from 31 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Pat Rakho Murari Taal - Ektal Vilambit Theme - Shri Krishna - Bhakti Ras | |
2 | Chota Khyal - Hamsan Bolat Kahe Na Rasiya Taal - Trital Drut Theme - Virah Ras | |
3 | Chota Khyal - Kablon Niharoon Baat Piya Taal - Trital Drut Theme - Virah Ras | |
4 | Chota Khyal - Kablon Sahun Avhelna Taal - Trital Drut Theme - Virah Ras | |
5 | Chota Khyal - Sumir Sumir Hari Naam Pyare Taal - Trital Drut Theme - Bhakti Ras, Jeevan Darshan | |
6 | Sargam - Ga Ga Ma Ga Re Ga Re Taal - Trital Drut |