| Swar | Rishabh and Dhaivat Varjya in Aaroh. Rishabh, Gandhar, Dhaivat and Nishad Komal. Rest all Shuddha Swaras. |
| Jati | Audhav - Sampurna |
| Thaat | Bhairavi |
| Vadi - Samvadi | Pancham - Shadj |
| Time | 3rd Prahar of the Day (12PM to 3PM) |
| Vishranti Sthan | S; P; - S'; P; g; |
| Mukhya Ang | S; g m P n d P ; P d m P g ; m g r S ; g m P g r S ; |
| Aaroh - Avroh | ,n S g m P n S' - S' n d P m P g m g r S |
Raag Dhanashree is rendered in two flavors – Bhairavi Ang and Bheempalasi Ang. In both of these flavors, Rishabh and Dhaivat are Varjya in Aaroh and Avroh is Sampurna.
In Raag Dhanashree with Bhairavi Ang, Rishabh, Gandhar, Dhaivat and Nishad are Komal, whereas in Raag Dhanashree with Bheempalasi Ang (Thaat Kafi), only Gandhar and Nishad are Komal. But, Aaroh of Both types of Raag Dhanashree is the same – ,n S g m P n S’. But Avroh of Raag Dhanashree with Bhairavi Ang is – S’ n d P m P g m g r S , and Avroh of Raag Dhanashree with Bheempalasi Ang is – S’ n D P m P g m g R S.
Aaroh and Avroh of Raag Dhanashree with Bheempalasi Ang and Raag Bheempalasi are the same, difference being that of the Vadi Swar. Vadi Swar of Raag Dhanashree with Bheempalasi Ang is Pancham (with more P-g sangati) while that of Raag Bheempalasi is Madhyam. Evidently, these two Raagas are pretty similar and are very difficult to render apart.
Both the Flavors of Raag Dhanashree have Pancham and Shadj as Vadi and Samvadi respectively and have Pancham-Gandhar Sangati. But because of the difference in Komal notes, these two can be told apart.
The following combinations are illustrative of the Raag Dhanashree with Bhairavi Ang:
,n S g r S; ,n S g m P ; P d m P g ; g m P g ; m g r S ; ,n S g m P ; g m P n d P ; P ; g m P n S’ ; n S’ r’ n S’ n d P ; p d m P g ; g m P g r S ; P ; g m P n S’ ; P n S’ g’ r’ S’ ; g’ r’ S’ n ; S’ n d P ; P d n d ; n d m P g m ; g m P g m g r S ;
Raag Dhanashree Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.
1 | Bada Khyal - Ho Harjaai Tum Aaye Ab Taal - Ektal Vilambit Theme - Virah Ras | |
2 | Madhya Lay Khyal - Phoolan Ki Kaliyan Taal - Jhaptal Madhya Lay Theme - Shringar Ras | |
3 | Chota Khyal - Kabahu Bisare Nahi Tanarang So Taal - Trital Drut Theme - Shringar Ras, Sunrise Time | |
4 | Chota Khyal - Kajrare Nain Albele Taal - Trital Drut Theme - Shri Krishna - Gopiyon ki Vyakulta | |
5 | Chota Khyal - Karam Karo Kartar Sai Taal - Trital Drut Theme - Bhakti Ras | |
6 | Chota Khyal - Maan Le Kahi Mori Taal - Ektal Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
7 | Chota Khyal - Saajan Aaye More Mandarwa Taal - Trital Drut Theme - Shringar Ras | |
8 | Madhya Lay Khyal/Dadra - Aayo Sakhi Sawanwa Taal - Dadra Madhya Lay Theme - Virah Ras, Rainy Season | |
9 | Tarana - Dre Tan De Re Na Ud Tan Derena Taal - Trital Drut Theme - Suitable for Dance | |
10 | Sargam - Re Ni Sa Ga Ma Pa Taal - Trital Drut |