| Swar | Rishabh and Pancham Varjya in Aaroh. Rest all Shuddha Swaras. |
| Jati | Audhav - Sampurna |
| Thaat | Bilawal |
| Vadi - Samvadi | Madhyam - Shadj |
| Time | 2nd Prahar of the Night (9PM to 12AM) |
| Vishranti Sthan | S; G; m; D; N; |
| Mukhya Ang | G m D N D ; m (P)m ; N D (P)m ; G m G R S ; G m D P m G R S; |
| Aaroh - Avroh | S G m D N S' - S' N D P m G R S |
Raag Hemant is a very melodious Raag. In Raag Kaushik Dhwani when Pancham and Rishabh are used in Avroh, Raag Hemant is conceived. In this Raag, Rishabh is used as a straight note like G R S whereas use of Pancham is somewhat Alp and is used either in Meend or as a Kan-Swar like D (P)m or m (P)m.
This Raag creates a deep and soothing atmosphere which may be easily expandable in all the octaves. The following combinations of notes clearly bring out the Raag mood –
S G m D ; P m ; G R S ; ,N ,D ; ,m ,D ,N S ; m (P)m ; G m D N ; m D N S’ ; S’ R’ S’ N D ; N S’ D P m ; m P m m G m G R S ;
Raag Hemant Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.
1 | Chota Khyal - Bisar Gaye Ri Sajanwa Taal - Trital Drut Theme - Virah Ras | |
2 | Chota Khyal - Chad Chale Nirmohi Mohe Taal - Trital Drut Theme - Virah Ras | |
3 | Chota Khyal - Kalna Pare Maiko Taal - Trital Drut Theme - Virah Ras | |
4 | Chota Khyal - Tumsan Mori Lagan Lagi Hai Taal - Trital Drut Theme - Virah Ras | |
5 | Chota Khyal - Sagari Ratiyan Tarpat Beeti Taal - Trital Drut Theme - Virah Ras | |
6 | Sargam - Ga Ma Dha Ni Sa Ni Dha Taal - Trital Drut |