| Swar | Gandhar and Nishad Varjya. Rest all Shuddha Swaras. |
| Jati | Audhav - Audhav |
| Thaat | Bilawal |
| Vadi - Samvadi | Madhyam - Shadj |
| Time | 2nd Prahar of the Night (9PM to 12AM) |
| Vishranti Sthan | m; S; |
| Mukhya Ang | S R S m ; m R P m ; m P D S' ; R' S' D P m ; P m R S ; |
| Aaroh - Avroh | S R m P D S' - S' D P m R S |
Raag Jaldhar Kedar is similar to Raag Durga if the notes are compared. But this Raag is sung with Kedar Ang and while performing one should make stop on Madhyam to make the Kedar Ang clear. For example: S R S m ; m R P m ; D P m ; S D P D P m ; m R P m ; S m R P ; D P m ; P m R S. In Raag Durga, m R P ; m R ,D S is rendered whereas in Jaldhar Kedar m R P ; m R S ; S R S m is rendered and not m R ,D S.
To signify this Raag, one should use m R – R P Sangati (Malhar Ang). This Raag is sung in Madhya Saptak and Tar Saptak. This Raag is also sung anytime in Rainy season. Following are the illustrative combinations of Raag Jaldhar Kedar:
S R S ; S R S S m ; m R R P m ; P D P m ; m R P m ; R S ; S ,D ,P ; ,m ,P ,D S R m ; S R S R P P m ; m P D S’ ; S’ R’ S’ ; R’ S’ D P m ; m P m R S ;
Raag Jaldhar Kedar Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’ and are published in his new book “Acharya Tanarang Ki Bandishen Vol 3”. This book contains the notation and audio of 440 Bandishen from 28 Raags. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information and to buy this book, please contact us.
1 | Bada Khyal - Eri Maiko Jaane De Taal - Ektal Vilambit Theme - Shringar Ras | |
2 | Madhya Lay Khyal - Devi Sharda Bhavani Taal - Jhaptal Madhya Lay Theme - Maa Saraswati | |
3 | Chota Khyal - Sagari Rain Ki Jaagi Taal - Trital Drut Theme - Virah Ras | |
4 | Chota Khyal - Sajanwa Gharwa Nahi Ri Taal - Trital Drut Theme - Virah Ras | |
5 | Chota Khyal - Baithi Hun Mai Tore Darsan Ko Taal - Ektal Drut Theme - Virah Ras | |
6 | Sargam - Re Sa Dha s Pa Ma Taal - Trital Drut |