| Swar | Pancham Varjya in Aaroh. Both Nishads, Both Gandhars. Rest all Shuddha Swaras. |
| Jati | Shadhav - Sampurna Vakra |
| Thaat | Kafi |
| Vadi - Samvadi | Madhyam - Shadj |
| Time | 3rd Prahar of the Night (12AM to 3AM) |
| Vishranti Sthan | S; m; - m; S; |
| Mukhya Ang | G m g R S ; ,n S ; ,D ,n S R G m ; |
| Aaroh - Avroh | S R G m D n S'; - S' n D P m G R G m g R S ; |
Raag Malgunji is a very melodious Raag. It is similar to Raag Bageshree but it employs Shuddha Gandhar in Aaroh which makes it different from Bageshree. Raag Malgunji also has some elements of Raag Khamaj.
This Raag employs Shuddha Gandhar in Aaroh and Komal Gandhar in Avroh. Raag Vachak notes of Raag Malgunji are S ,D ,N S R G m which are recurring. In Uttarang, Nishad Shuddha is occasionally rendered like m D N S. Shuddha Gandhar is a Prominent note. Vadi is Madhyam and Samvadi is Shadj.
This Raag can be expanded in all the three octaves and creates a heavy atmosphere. Following are the illustrative combinations:
S ,D ,n S R G m ; m D n S’ ; S’ n D P m G m ; m g R S ; S ,n ,D ,n S R G m ; m D N S’ ; S’ R’ S’ R’ n S’ ; R’ R’ S’ n D P ; n n D P m G R G m ; m g R S ;
Raag Malgunji Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.
1 | Madhya Lay Khyal - Aagman Bhayo Sukhad Ati Shubh Taal - Roopak Madhya Lay Theme - Shringar Ras | |
2 | Chota Khyal - Baalam Harjai Re Harjai Taal - Trital Drut Theme - Virah Ras | |
3 | Chota Khyal - Gopin Ke Sang Dole Kanha Sakhi Taal - Trital Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
4 | Chota Khyal - Madhu Chandni Dhawal Chai Taal - Trital Drut Theme - Night Time | |
5 | Chota Khyal - More Man Bas Gai Taal - Trital Drut Theme - Virah Ras | |
6 | Chota Khyal - Takat Tori Baat Piyarwa Taal - Trital Drut Theme - Virah Ras |