| Swar | Rishabh Varjya in Aaroh. Both Gandhars, both Nishads. Rest all Shuddha Swaras. |
| Jati | Shadhav - Sampurna Vakra |
| Thaat | Khamaj (when Tilang is dominant) or Kafi (when Bahar is dominant) |
| Vadi - Samvadi | Gandhar (Tilang) or Madhyam (Bahar) - Nishad (Tilang) or Shadj (Bahar) |
| Time | 2nd Prahar of the Night (9PM to 12AM) |
| Vishranti Sthan | S m P - S' P m G; |
| Mukhya Ang | m P m g ; m ; n P m ; P N S' ; g m P m g m R S; |
| Aaroh - Avroh | S R S m ; G m P n P ; m D N S'; - S' n P m g m R S; |
Raag Tilang Bahar is a fine blend of the two Raags namely Raag Tilang and Raag Bahar. Both Raags in part provide sweet tonal embellishment to the overall mood of this raga.
The following combinations could be considered as the soul of this Raag:
G m ; G m P m ; G m R S ; m D N S’ ; DN S’ R’ S’ ; S’ ,n P m G ; mP m ; DN S’ nP G m R S ;